Though it is widely accepted as a legitimate topic for literature today, the supernatural became an acceptable topic for literary study only very gradually. This course will trace the development of the supernatural as a literary device and a vehicle for social concerns and cultural tensions from the 18th c. to the present in a variety of works, including novels and short stories, non-fiction and optional movies.
Texts
Please use only the editions assigned so we will all be “on the same page” in discussion
Jackson, Shirley. The Haunting of Hill House.
James, Henry. The Turn of the Screw.
King, Stephen. The Shining.
Stoker, Bram. Dracula.
Films: All of these films are optional viewing. There will be forums for discussion during the appropriate weeks but you are not required to view them or discuss them.
· Nosferatu (1922, silent; 1990 is also good, but the earlier film was very influential)
· Any version of Dracula
· The Haunting (1963) (based on The Haunting of Hill House) (I don’t recommend the 1999 version which barely has a connection to the novel)
· The Shining (1980)
· The Innocents (1961) (based on The Turn of the Screw)
Students will access numerous reading assignments in the Pace Library's online reserve site http://library.pace.edu/, (click “Reserves”) and from other online sources. All documents are .pdf.
You are also assumed to have access to a writing handbook, such as the Little Brown Handbook and a good hardcover dictionary since the quality of your written expression will be important in this course—which is ALL writing!